Thursday, June 16, 2022

A different world

It's becoming a very strange world and quite the opposite of what I had expected in one particular way. 

One would have thought that the internet would have provided free transmission and sharing of information and, whilst there would always be a load of rubbish on websites, it would be much more difficult for governments to succeed with propaganda and downright lies about other parts of the world.

Now we learn that students in Hong Kong will no longer be taught that the city was a British colony from 1899 to 1997. All reference to this will be deleted from textbooks and China already has in place quite impressive filters on what data can be searched and found in this respect.

We have also become familiar with what would be amusingly farcical if it were not so serious; the increasingly regular news items on Russian TV which show empty supermarket shelves across the whole of Britain, Jeremy Clarkson's comments about soon needing to consider eating children or neighbours and there being no bread anywhere here either. They, of course, also continue to accuse Ukraine of inventing stories of destruction and civilian casualties every day.

We can verify almost any news we read. Sometimes very easily, sometimes it can be a little more difficult but the conspiracy theories and most copied drama we see on Facebook or in our email inboxes seldom stand up to much investigation. It seems that people in Hong Kong, China and Russia cannot. Moreover, many prefer not to question what their governments, teachers or TV presenters tell them and the thought of making an enquiry arises less and less frequently. 

They really are now living in a different world. 

We've known North Korean people are cut off from much knowledge about what happens outside their borders but that has been the case for so long we kinda ignore it, and them, for that matter. We may eventually be able to ignore Russia but I am not at all sure about China.

Monday, June 13, 2022

Eurovision 2022. The year when Moldova came 2nd in the public vote and the UK 1st with the juries.

 A very well-run show in Turin saw Ukraine take the prize (then sell it in order to pay for some tanks!)

The overall Top 10 looked like this.

1UkraineStefania
Kalush Orchestr
a
631
2United KingdomSpace Man
Sam Ryde
r
466
3SpainSloMo
Chane
l
459
4SwedenHold Me Closer
Cornelia Jakob
s
438
5SerbiaIn Corpore Sano
Konstrakt
a
312
6ItalyBrividi
Mahmood & Blanc
o
268
7MoldovaTrenuleţul
Zdob şi Zdub & Advahov Brother
s
253
8GreeceDie Together
Amanda Georgiadi Tenfjor
d
215
9PortugalSaudade, saudade
Mar
o
207
10NorwayGive That Wolf a Banana
Subwoolfe
r
182

This comprised two sets of scores. The national 'professional' juries' points came first. It was great to see United Kingdom at the top. Portugal were very highly placed at 5th at this stage with the Netherlands, Australia and even Azerbaijan looking as if they might have a chance.

1United KingdomSpace Man
Sam Ryde
r
283
2SwedenHold Me Closer
Cornelia Jakob
s
258
3SpainSloMo
Chane
l
231
4UkraineStefania
Kalush Orchestr
a
192
5PortugalSaudade, saudade
Mar
o
171
6ItalyBrividi
Mahmood & Blanc
o
158
7GreeceDie Together
Amanda Georgiadi Tenfjor
d
158
8NetherlandsDe Diepte
S1
0
129
9AustraliaNot the Same
Sheldon Rile
y
123
10AzerbaijanFade To Black
Nadir Rustaml
i
103

Look at what the voting public said, though! Clearly way out in front with a massive number of votes was the Ukraine entry and it was now more a matter of who might come second. Moldova, who nearly always get precious few points from the national juries were the public's second choice! An extraordinary result for a catchy but very unlikely winning song. The other entry where the public violently disagreed with the boring old jury people was Serbia's where some woman talking about good health and appearing to wash her hands incessantly and not always in time to the music was their 4th choice. It was very catchy, though.

Spain were consistent - scoring enough to hold 3rd place in each but they were just beaten by Sam Ryder's Space Man who took 2nd place overall. I had been expecting the two ballads to do well and the public agreed with me, placing both Poland's and Estonia's entries in the top 10. They also liked the yellow and black phenomena that was Norway's crazy-looking entry, which the national juries had left lounging near the foot of the table a little earlier.


This format lends a lot of excitement and is fascinating to see the difference between what satisfies the national juries and what the public actually pay money and vote for. I do wonder now whether we should do away with the juries and just leave the public to decide. If it means Moldova come 2nd with a pretty poor number but it's one that people like then so be it. We are talking about Eurovision, not some professional concert.


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